Title: Chuck Jones: a flurry of drawings 
Author: Kenner, Hugh
Published: University of California Press,  1994
Subjects: American Studies | Film | Autobiographies and Biographies
Publisher's Description: Creator of the mono-maniacal Wile E. Coyote and his elusive prey, the Road Runner, Chuck Jones has won three Academy Awards and been responsible for many classics of animation featuring Bugs Bunny, Daffy Duck, Porky Pig, and Elmer Fudd. Who better to do Chuck Jones than Hugh Kenner, master wordsmith and technophile, a man especially qualified to illuminate the form of literacy that Jones so wonderfully executes in the art of character animation? A Flurry of Drawings reveals in cartoon-like sequences the irrepressible humor and profound reflection that have shaped Chuck Jones's work. Unlike Walt Disney, Jones and his fellow animators at Warner Brothers were not interested in cartoons that mimicked reality. They pursued instead the reality of the imagination, the Toon world where believability is more important than realism and movement is the ultimate aesthetic arbiter. Kenner offers both a fascinating explanation of cartoon culture and a new understanding of art's relationship to technology, criticism, freedom, and imagination.   [brief]
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Title: 1910, the emancipation of dissonance 
Author: Harrison, Thomas J 1955-
Published: University of California Press,  1996
Subjects: Literature | Comparative Literature | European Literature | Art History
Publisher's Description: The year 1910 marks an astonishing, and largely unrecognized, juncture in Western history. In this perceptive interdisciplinary analysis, Thomas Harrison addresses the extraordinary intellectual achievement of the time. Focusing on the cultural climate of Middle Europe and paying particular attention to the life and work of Carlo Michelstaedter, he deftly portrays the reciprocal implications of different discourses - philosophy, literature, sociology, music, and painting. His beautifully balanced and deeply informed study provides a new, wider, and more ambitious definition of expressionism and shows the significance of this movement in shaping the artistic and intellectual mood of the age. 1910 probes the recurrent themes and obsessions in the work of intellectuals as diverse as Egon Schiele, Georg Trakl, Vasily Kandinsky, Georg Lukàcs, Georg Simmel, Dino Campana, and Arnold Schoenberg. Together with Michelstaedter, who committed suicide in 1910 at the age of 23, these thinkers shared the essential concerns of expressionism: a sense of irresolvable conflict in human existence, the philosophical status of death, and a quest for the nature of human subjectivity. Expressionism, Harrison argues provocatively, was a last, desperate attempt by the intelligentsia to defend some of the most venerable assumptions of European culture. This ideological desperation, he claims, was more than a spiritual prelude to World War I: it was an unheeded, prophetic critique.   [brief]
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Title: Critical crossings: the New York intellectuals in postwar America 
Author: Jumonville, Neil
Published: University of California Press,  1990
Subjects: History | Autobiographies and Biographies | Sociology | Politics | American Studies
Publisher's Description: The period immediately following the Second World War was a time, observed Randall Jarrell, when many American writers looked to the art of criticism as the representative act of the intellectual. Rethinking this interval in our culture, Neil Jumonville focuses on the group of writers and thinkers who founded, edited, and wrote for some of the most influential magazines in the country, including Partisan Review , Politics , Commentary , and Dissent . In their rejection of ideological, visionary, and romantic outlooks, reviewers and essayists such as Sidney Hook, Irving Howe, Lionel Trilling, Harold Rosenberg, and Daniel Bell adopted a pragmatic criticism that had a profound influence on the American intellectual community. By placing pragmatism at the center of intellectual activity, the New York Critics crossed from large belief systems to more tentative answers in the hope of redefining the proper function of the intellectual in the new postwar world.Because members of the New York group always valued being intellectuals more than being political leftists, they adopted a cultural elitism that opposed mass culture. Ready to combat any form of absolutist thought, they found themselves pitted against a series of antagonists, from the 1930s to the present, whom they considered insufficiently rational and analytical to be good intellectuals: the Communists and their sympathizers, the Beat writers, and the New Left. Jumonville tells the story of some of the paradoxes and dilemmas that confront all intellectuals. In this sense the book is as much about what it means to be an intellectual as it is about a specific group of thinkers.   [brief]
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Title: Garrett Eckbo: modern landscapes for living 
Author: Treib, Marc
Published: University of California Press,  1997
Subjects: Architecture | Art History | California and the West
Publisher's Description: One of the central figures in modern landscape architecture, Garrett Eckbo (1910-2000) was a major influence in the field during an active career spanning five decades. While most of the early American designers concentrated on the private garden and the corporate landscape, Eckbo's work demonstrated innovative design ideas in a social setting. This engagement with social improvement has stayed with Eckbo throughout his life, distinguishing both his intentions and achievements, from his early work for the Farm Security Administration to his partnerships (including one of the most prominent landscape firms in the world, Eckbo, Dean, Austin, and Williams - EDAW) and his years as chair of the Department of Landscape Architecture at the University of California, Berkeley.In an elegant and detailed book that includes more than 100 of Eckbo's designs, Marc Treib examines the aesthetic formation of Eckbo's manner, and by implication the broader field of landscape architecture since the 1930s. Dorothée Imbert writes about Eckbo's social vision, including his belief that ultimately, landscape design is the "arrangement of environments for people ." The book also contains a biographical and professional chronology and a complete bibliography of publications by and about Garrett Eckbo.   [brief]
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Title: Masks of the spirit: image and metaphor in Mesoamerica 
Author: Markman, Peter T
Published: University of California Press,  1990
Subjects: Anthropology | Art | Folklore and Mythology
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Title: Images and ideologies: self-definition in the Hellenistic world 
Author: Bulloch, A. W
Published: University of California Press,  1994
Subjects: Classics | Philosophy | Classical Philosophy | Ancient History | Art History
Publisher's Description: This volume captures the individuality, the national and personal identity, the cultural exchange, and the self-consciousness that have long been sensed as peculiarly potent in the Hellenistic world. The fields of history, literature, art, philosophy, and religion are each presented using the format of two essays followed by a response.Conveying the direction and focus of Hellenistic learning, eighteen leading scholars discuss issues of liberty versus domination, appropriation versus accommodation, the increasing diversity of citizen roles and the dress and gesture appropriate to them, and the accompanying religious and philosophical ferment. The result is an arresting view of the incredible and unprecedented diversity of the Hellenistic world.   [brief]
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Title: A sheep's song: a writer's reminiscences of Japan and the world 
Author: Katō, Shūichi 1919-
Published: University of California Press,  1999
Subjects: Literature | Asian History | Japan | Autobiographies and Biographies
Publisher's Description: This critically acclaimed autobiography was an instant bestseller in Japan, where it has gone through more than forty printings since its first publication. Cultural critic, literary historian, novelist, poet, and physician, Kato Shuichi reconstructs his dramatic spiritual and intellectual journey from the militarist era of prewar Japan to the dynamic postwar landscapes of Japan and Europe. This fluid translation of A Sheep's Song captures Kato's unique voice and brings his insightful interpretation of modern Japan and its tumultuous relations with the outside world to English-speaking readers for the first time.Kato describes his youthful interest in the natural sciences as well as in Japanese and Western literatures - from the Man'yoshu to Akutagawa Ryunosuke, Baudelaire, Valéry, and Proust. Turning to the rise of Japanese fascism in the late 1930s, he recalls his rebellion against the jingoistic political atmosphere of the time. The chapters on the war and its aftermath include experiences of Hiroshima shortly after the bombing and the often tragicomic encounters between the defeated Japanese nation and the American Occupation forces. Throughout, memories of his wide-ranging literary career and broad experiences in Europe as a student, traveler, and cultural observer are punctuated by his unique perspectives on the relation between imagination, art, and politics.A postscript written especially for the English-language edition discusses the Vietnam War, the subsequent transformation of Japan, the cultures and societies of Europe, the United States, and China, and the collapse of the Soviet Union.   [brief]
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Title: Literary architecture: essays toward a tradition: Walter Pater, Gerard Manley Hopkins, Marcel Proust, Henry James 
Author: Frank, Ellen Eve
Published: University of California Press,  1983
Subjects: Literature | European Literature
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Title: The naked text: Chaucer's Legend of good women 
Author: Delany, Sheila
Published: University of California Press,  1994
Subjects: Literature | Literary Theory and Criticism | Medieval Studies | English Literature | Gender Studies
Publisher's Description: A sequel to her seminal book on Chaucer's House of Fame , Sheila Delany's elegant and innovative study of Chaucer's Legend of Good Women explores what it meant to be a reader and a writer, and to be English and a courtier, in the late fourteenth century. The richness of late medieval art, philosophy, and history are powerfully brought to bear on one of Chaucer's most controversial works. So too are the insights of modern critical theory - semiotics, historicism, and gender studies especially - making this a unique achievement in medieval and Chaucerian studies.Delany's strikingly original readings of Chaucer's Orientalism, his sexual wordplay, his theological attitudes, and his treatment of sex and gender have given us a Chaucer for our time.   [brief]
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Title: War and popular culture: resistance in modern China, 1937-1945 
Author: Hung, Chang-tai 1949-
Published: University of California Press,  1994
Subjects: History | Asian History | China
Publisher's Description: This is the first comprehensive study of popular culture in twentieth-century China, and of its political impact during the Sino-Japanese War of 1937-1945 (known in China as "The War of Resistance against Japan"). Chang-tai Hung shows in compelling detail how Chinese resisters used a variety of popular cultural forms - especially dramas, cartoons, and newspapers - to reach out to the rural audience and galvanize support for the war cause. While the Nationalists used popular culture as a patriotic tool, the Communists refashioned it into a socialist propaganda instrument, creating lively symbols of peasant heroes and joyful images of village life under their rule. In the end, Hung argues, the Communists' use of popular culture contributed to their victory in revolution.   [brief]
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Title: Behind the postmodern facade: architectural change in late twentieth-century America 
Author: Larson, Magali Sarfatti
Published: University of California Press,  1993
Subjects: Architecture | Architecture | Philosophy | Politics | American Studies | Sociology | Social Theory
Publisher's Description: Magali Larson's comprehensive study explores how architecture "happens" and what has become of the profession in the postmodern era. Drawing from extensive interviews with pivotal architects - from Philip Johnson, who was among the first to introduce European modernism to America, to Peter Eisenman, identified with a new "deconstructionist" style - she analyzes the complex tensions that exist between economic interest, professional status, and architectural product. She investigates the symbolic awards and recognition accorded by prestigious journals and panels, exposing the inner workings of a profession in a precarious social position. Larson captures the struggles around status, place, and power as architects seek to redefine their very purpose in contemporary America.The author's novel approach in synthesizing sociological research and theory proposes nothing less than a new cultural history of architecture. This is a ground-breaking contribution to the study of culture and the sociology of knowledge, as well as to architectural and urban history.   [brief]
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Title: Theocritus's urban mimes: mobility, gender, and patronage 
Author: Burton, Joan B 1951-
Published: University of California Press,  1995
Subjects: Classics | Classical Literature and Language | Women's Studies
Publisher's Description: Drawing on current literary, cultural, and historical approaches, Joan Burton presents sophisticated new readings of Theocritus's urban mimes, which are among the most frequently cited evidence of Hellenistic cultural life, religion, magic, and aesthetics. Unlike Theocritus's bucolic poems, which focus on the male experience, all of his urban mimes represent women in more central and powerful roles, reflecting the growing visibility of Greek women at the time. A work of both innovation and wide-ranging scholarship, this book will be welcomed not only by students of the Hellenistic age but also by readers interested in issues of gender, sexuality, and culture in the ancient world.   [brief]
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Title: Early Gothic Saint-Denis: restorations and survivals 
Author: Blum, Pamela Z
Published: University of California Press,  1992
Subjects: Art | Architectural History | Art History | Medieval Studies | Archaeology
Publisher's Description: quality. Indeed, the well-preserved sculptural passages provide a key to the Early Gothic style as well as revealing the distinct imprints of three artists and their influences on each other. Blum's penetrating analyses of the restorative techniques and materials are accompanied by telling photograph-diagrams that distinguish the original work from that done later.Pamela Blum's investigation has relevance not only for students and scholars of medieval art but for curators and collectors as well. Anyone concerned with survivals from the past will appreciate her scrupulous detection in studying one of France's greatest monuments.   [brief]
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Title: The life of a text: performing the Rāmcaritmānas of Tulsidas 
Author: Lutgendorf, Philip
Published: University of California Press,  1991
Subjects: Religion | Hinduism | South Asia | Cultural Anthropology
Publisher's Description: The Life of a Text offers a vivid portrait of one community's interaction with its favorite text - the epic Ramcaritmanas - and the way in which performances of the epic function as a flexible and evolving medium for cultural expression. Anthropologists, historians of religion, and readers interested in the culture of North India and the performance arts will find breadth of subject, careful scholarship, and engaging presentation in this unique and beautifully illustrated examination of Hindi culture.The most popular and influential text of Hindi-speaking North India, the epic Ramcaritmanas is a sixteenth century retelling of the Ramayana story by the poet Tulsidas. This masterpiece of pre-modern Hindi literature has always reached its largely illiterate audiences primarily through oral performance including ceremonial recitation, folksinging, oral exegesis, and theatrical representation. Drawing on fieldwork in Banaras, Lutgendorf breaks new ground by capturing the range of performance techniques in vivid detail and tracing the impact of the epic in its contemporary cultural context.   [brief]
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Title: Victorian literature and the Victorian visual imagination 
Author: Christ, Carol T
Published: University of California Press,  1995
Subjects: Literature | Art History | English Literature | Victorian History | Literary Theory and Criticism
Publisher's Description: Nineteenth-century British culture frequently represented the eye as the preeminent organ of truth. These essays explore the relationship between the verbal and the visual in the Victorian imagination. They range broadly over topics that include the relationship of optical devices to the visual imagination, the role of photography in changing the conception of evidence and truth, the changing partnership between illustrator and novelist, and the ways in which literary texts represent the visual. Together they begin to construct a history of seeing in the Victorian period.   [brief]
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Title: Wising up the marks: the modern William Burroughs 
Author: Murphy, Timothy S 1964-
Published: University of California Press,  1998
Subjects: Literature | American Studies | Literary Theory and Criticism | Philosophy
Publisher's Description: William S. Burroughs is one of the twentieth century's most visible, controversial, and baffling literary figures. In the first comprehensive study of the writer, Timothy S. Murphy places Burroughs in the company of the most significant intellectual minds of our time. In doing so, he gives us an immensely readable and convincing account of a man whose achievements continue to have a major influence on American art and culture. Murphy draws on the work of such philosophers as Gilles Deleuze, Félix Guattari, Theodor Adorno, and Jean-Paul Sartre, and also investigates the historical contexts from which Burroughs's writings arose.From the paranoid isolationism of the Cold War through the countercultural activism of the sixties to the resurgence of corporate and state control in the eighties, Burroughs's novels, films, and music hold a mirror to the American psyche. Murphy coins the term "amodernism" as a way to describe Burroughs's contested relationship to the canon while acknowledging the writer's explicit desire for a destruction of such systems of classification. Despite the popular mythology that surrounds Burroughs, his work has been largely excluded from the academy of American letters. Finally here is a book that presents a solid portrait of a major artistic innovator, a writer who combines aesthetics and politics and who can perform as anthropologist, social goad, or media icon, all with consummate skill.   [brief]
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Title: City culture and the madrigal at Venice 
Author: Feldman, Martha
Published: University of California Press,  1995
Subjects: Music | Musicology | European History
Publisher's Description: Martha Feldman's exploration of sixteenth-century Venetian madrigals centers on the importance to the Venetians of Ciceronian rhetorical norms, which emphasized decorum through adherence to distinct stylistic levels. She shows that Venice easily adapted these norms to its long-standing mythologies of equilibrium, justice, peace, and good judgment. Feldman explains how Venetian literary theorists conceived variety as a device for tempering linguistic extremes and thereby maintaining moderation. She further shows how the complexity of sacred polyphony was adapted by Venetian music theorists and composers to achieve similar ends.At the same time, Feldman unsettles the kinds of simplistic alignments between the collectivity of the state and its artistic production that have marked many historical studies of the arts. Her rich social history enables a more intricate dialectics among sociopolitical formations; the roles of individual printers, academists, merchants, and others; and the works of composers and poets. City Culture offers a new model for situating aesthetic products in a specific time and place, one that sees expressive objects not simply against a cultural backdrop but within an integrated complex of cultural forms and discursive practices.   [brief]
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Title: The king's midwife: a history and mystery of Madame du Coudray 
Author: Gelbart, Nina Rattner
Published: University of California Press,  1998
Subjects: History | European History | Women's Studies | Autobiographies and Biographies | French Studies | History and Philosophy of Science | Medicine
Publisher's Description: This unorthodox biography explores the life of an extraordinary Enlightenment woman who, by sheer force of character, parlayed a skill in midwifery into a national institution. In 1759, in an effort to end infant mortality, Louis XV commissioned Madame Angélique Marguerite Le Boursier du Coudray to travel throughout France teaching the art of childbirth to illiterate peasant women. For the next thirty years, this royal emissary taught in nearly forty cities and reached an estimated ten thousand students. She wrote a textbook and invented a life-sized obstetrical mannequin for her demonstrations. She contributed significantly to France's demographic upswing after 1760.Who was the woman, both the private self and the pseudonymous public celebrity? Nina Rattner Gelbart reconstructs Madame du Coudray's astonishing mission through extensive research in the hundreds of letters by, to, and about her in provincial archives throughout France. Tracing her subject's footsteps around the country, Gelbart chronicles du Coudray's battles with finance ministers, village matrons, local administrators, and recalcitrant physicians, her rises in power and falls from grace, and her death at the height of the Reign of Terror. At a deeper level, Gelbart recaptures du Coudray's interior journey as well, by questioning and dismantling the neat paper trail that the great midwife so carefully left behind. Delightfully written, this tale of a fascinating life at the end of the French Old Regime sheds new light on the histories of medicine, gender, society, politics, and culture.   [brief]
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Title: The poet's truth: a study of the poet in Virgil's Georgics 
Author: Perkell, Christine
Published: University of California Press,  1989
Subjects: Classics | Classical Literature and Language
Publisher's Description: The controversy over Virgil's optimism or pessimism, which has long absorbed readers of his poetry, might fruitfully yield to a perspective which allows contradictions to stand unresolved, to constitute, in fact, the essence of his poems' meaning. So interpreted, the pervasive contradictions of the Georgics are not problems to be solved, but expressions of the poet's vision of fundamental tensions in human experience.Focusing on the figure of the poet in his relationship to the farmer, Professor Perkell studies oppositions between power and beauty, profit and art, matter and spirit, which are critical to the poem's meaning. She points to the poet's privileging of myth over praeceptum , of divine revelation over experiment and practice, and of mystery over solution. The poem's oppositions find ultimate expression in the bougonia , literally false as Georgic precept but metaphorically true as image of Iron Age technology and culture. Through this metaphor, the poet suggests the high value of his own truth and implicitly challenges the values of the agricultural, material poem which the Georgics on its surface professes to be.Shaped by insights of reader-response and structuralist criticism, this new study of the Georgics should interest Classicists and students of literature.   [brief]
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Title: Flight from Eden: the origins of modern literary criticism and theory 
Author: Cassedy, Steven
Published: University of California Press,  1990
Subjects: Literature | European Literature
Publisher's Description: Steven Cassedy takes aim at two of the most enduring myths of modern criticism: that it is secular, and that it is new and autonomous. He argues that though modern criticism is often forbiddingly scientific and technical, the modern critic remains something of a mystic. Every school of modern criticism - from structuralism to postmodern criticism - rests on a faith in an "Eden," an irreducible essence, a myth, like the common myth that there is an intrinsic distinction between "poetic" language and "ordinary" language. The modern critic attempts to abandon all mystical faith; this is the "flight from Eden." But it is always in vain.It is traditionally assumed that modern literary criticism and theory came from France, and relatively recently. In fact, according to Cassedy, the entire modern critical consciousness was already formed by the early twentieth century in the minds of writers who were primarily neither professional critics nor philosophers, but poets. Some were French (Mallarmé, and Valéry); others were not (Rilke, Bely, and the Russian avant-garde poet Velimir Khlebnikov). In them we find the same Edenic faith, the same effort to abandon it, and the same failure of that effort.   [brief]
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